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	<title>Miniseries - Revision history</title>
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		<summary type="html">&lt;p&gt;1 revision imported&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{about|television miniseries|comic book miniseries|limited series (comics)}}&lt;br /&gt;
&lt;br /&gt;
A &amp;#039;&amp;#039;&amp;#039;miniseries&amp;#039;&amp;#039;&amp;#039; (or &amp;#039;&amp;#039;&amp;#039;mini-series&amp;#039;&amp;#039;&amp;#039;, also known as a &amp;#039;&amp;#039;&amp;#039;serial&amp;#039;&amp;#039;&amp;#039; in the UK) is a [[television program]] that tells a story in a predetermined, limited number of [[episode]]s.&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
A miniseries is distinguished from an ongoing television series, which do not usually have a predetermined number of episodes and may continue for several years. Before the term was coined in the USA in the early 1970s, the ongoing episodic form was always called a &amp;quot;[[Serial (radio and television)|serial]]&amp;quot;, just as a novel appearing in episodes in successive editions of magazines or newspapers is called a serial. In Britain, miniseries are often still referred to as serials.&lt;br /&gt;
&lt;br /&gt;
Several commentators have offered more precise definitions of the term. In &amp;#039;&amp;#039;Halliwell&amp;#039;s Television Companion&amp;#039;&amp;#039;, [[Leslie Halliwell]] and [[Philip Purser]] argue that miniseries tend to &amp;quot;appear in four to six episodes of various lengths&amp;quot;,&amp;lt;ref name=MBC&amp;gt;{{cite web |url=http://www.museum.tv/eotv/miniseries.htm |publisher=Museum of Broadcast Communication |title=Miniseries |accessdate=March 9, 2015}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Halliwell, Leslie, and Peter Purser, &amp;#039;&amp;#039;Halliwell&amp;#039;s Television Companion&amp;#039;&amp;#039;, London: Paladin, 1987&amp;lt;/ref&amp;gt; while Stuart Cunningham in &amp;#039;&amp;#039;Textual Innovation in the Australian Historical Mini-series&amp;#039;&amp;#039; defines a miniseries as, &amp;quot;a limited run program of more than two and less than the 13-part season or half season block associated with serial or series programming.&amp;quot;&amp;lt;ref name=MBC/&amp;gt;&amp;lt;ref&amp;gt;Cunningham, Stuart. &amp;quot;Textual Innovation in the Australian Historical Mini-series&amp;quot;, chapter in &amp;#039;&amp;#039;Australian Television: Programs, Pleasures and Politics&amp;#039;&amp;#039;, Sidney: Allen and Unwin, 1989&amp;lt;/ref&amp;gt; Still, with the proliferation of the format in the 1980s and 90s, television films broadcast over even two or three nights were commonly referred to as miniseries.&amp;lt;ref name=&amp;quot;NYT Sins&amp;quot;&amp;gt;{{cite news| url=https://www.nytimes.com/1986/01/31/arts/joan-collins-in-sins-a-mini-series.html|work=[[The New York Times]]|first=John|last=Corry|title=Joan Collins In &amp;#039;&amp;#039;Sins&amp;#039;&amp;#039;, A Mini-Series|date=January 31, 1986 |accessdate=March 7, 2015}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Variety Jewels&amp;quot;&amp;gt;{{cite web |url=http://variety.com/1992/tv/reviews/nbc-movie-of-the-week-danielle-steel-s-jewels-1200430797/ |title=Review: NBC Movie of the Week Danielle Steel’s &amp;#039;&amp;#039;Jewels&amp;#039;&amp;#039; |work=[[Variety (magazine)|Variety]] |first=Tony |last=Scott |date=October 16, 1992 |accessdate=March 8, 2015}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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In &amp;#039;&amp;#039;Television: A History&amp;#039;&amp;#039;, [[Francis Wheen]] states, &amp;quot;Both soap operas and primetime series cannot afford to allow their leading characters to develop, since the shows are made with the intention of running indefinitely. In a miniseries on the other hand, there is a clearly defined beginning, middle, and end (as in a conventional play or novel), enabling characters to change, mature, or die as the serial proceeds.&amp;quot;&amp;lt;ref name=MBC/&amp;gt;&amp;lt;ref name=Wheen&amp;gt;Wheen, Francis; &amp;#039;&amp;#039;Television: A History&amp;#039;&amp;#039;, London: Century Publishing, 1985&amp;lt;/ref&amp;gt;&lt;br /&gt;
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===North America===&lt;br /&gt;
According to Francis Wheen, it was the American success in 1969–1970 of the British 26-episode serial &amp;#039;&amp;#039;[[The Forsyte Saga (1967 series)|The Forsyte Saga]]&amp;#039;&amp;#039; (1967) that made US TV executives realize that finite stories based on novels could be popular and could provide a boost to weekly viewing figures.&amp;lt;ref name=MBC/&amp;gt;&amp;lt;ref name=Wheen/&amp;gt; In North America the form began in the spring of 1974 with the [[Canadian Broadcasting Corporation|CBC]]&amp;#039;s eight-part serial &amp;#039;&amp;#039;[[The National Dream (miniseries)|The National Dream]]&amp;#039;&amp;#039;, based on [[Pierre Berton]]&amp;#039;s novel, and [[American Broadcasting Company|ABC]]&amp;#039;s three-part &amp;#039;&amp;#039;[[QB VII]]&amp;#039;&amp;#039;, based on the novel by [[Leon Uris]]. Following these initial forays, broadcasters used miniseries to bring other books to the screen. &amp;#039;&amp;#039;[[Rich Man, Poor Man (miniseries)|Rich Man, Poor Man]]&amp;#039;&amp;#039;, based on the novel by [[Irwin Shaw]], was broadcast in 12 one-hour episodes in 1976 by ABC. [[Alex Haley]]&amp;#039;s &amp;#039;&amp;#039;[[Roots (1977 miniseries)|Roots]]&amp;#039;&amp;#039; in 1977 can fairly be called the first [[blockbuster (entertainment)|blockbuster]] success of the format. Its success in the USA was partly due to its schedule: the 12-hour duration was split into eight episodes broadcast on consecutive nights, resulting in a finale with a 71 percent share of the audience and 130 million viewers, which at the time was the highest rated TV program of all time. &amp;#039;&amp;#039;[[TV Guide]]&amp;#039;&amp;#039; (April 11–17, 1987) called 1977&amp;#039;s &amp;#039;&amp;#039;[[Jesus of Nazareth (miniseries)|Jesus of Nazareth]]&amp;#039;&amp;#039; &amp;quot;the best miniseries of all time&amp;quot; and &amp;quot;unparalleled television&amp;quot;. &amp;#039;&amp;#039;[[North and South (miniseries)|North and South]]&amp;#039;&amp;#039;, the 1985 adaptation of a [[North and South (trilogy)|1982 novel]] by [[John Jakes]], remains one of the 10 highest rated miniseries in TV history.&amp;lt;ref name=&amp;quot;TS 2007-08&amp;quot;&amp;gt;{{cite web|url=http://www.tribstar.com/news/lifestyles/john-jakes-journey-to-new-york-times-bestseller-list-included/article_8a3877e1-8e78-593d-9de8-b878d396254a.html|title=John Jakes&amp;#039; journey to &amp;#039;&amp;#039;New York Times&amp;#039;&amp;#039; bestseller list included boyhood years in Terre Haute|last=Bennett|first=Mark|date=August 11, 2007|work=[[Tribune-Star]]|publisher=TribStar.com|accessdate=March 9, 2015}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;P&amp;amp;C 2002&amp;quot;&amp;gt;{{cite web|url=http://www.depauw.edu/news/index.asp?id=11968|title=Bestselling novelist penning saga of fictional Charleston family|last=Thompson|first=Bill|date=March 18, 2002|work=[[The Post and Courier]]|publisher=Excerpted at DePauw.edu|accessdate=January 7, 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;JJCC&amp;quot;&amp;gt;{{cite book|last=Jones|first=Mary Ellen|title=John Jakes: A Critical Companion|publisher=[[Greenwood Publishing Group|Greenwood Press]]|date=November 30, 1996|page=3|chapter=The People&amp;#039;s Author: The Life of John Jakes|isbn=0-313-29530-1|url=https://books.google.com/books?id=2pzmvCXfuoAC&amp;amp;pg=PA3&amp;amp;lpg=PA3&amp;amp;dq=highest+rated+miniseries+jakes&amp;amp;source=bl&amp;amp;ots=wMhwmYz79n&amp;amp;sig=gnjdl2g_URPhmDLhAGaKOBqpgvI&amp;amp;hl=en&amp;amp;ei=1VlFS9SuFZKuNtCCle0C&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CAcQ6AEwADgK#v=onepage&amp;amp;q=&amp;amp;f=false|accessdate=January 7, 2010}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Miniseries were popular through the 1990s on the [[Big Three television networks]], often as big-budget [[Nielsen Ratings|ratings]]-grabbing efforts scheduled for sweeps months; however, the use of the format declined quickly after approximately 2000 (coinciding with a similar collapse in producing made-for-TV movies) because of budgetary concerns and demands from viewers and the creative community to maintain a steady schedule for regular series. The format has made somewhat of a comeback on cable; [[History (U.S. TV channel)|History]], for example, has had some of its greatest successes with miniseries such as &amp;#039;&amp;#039;[[America: The Story of Us]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Hatfields &amp;amp; McCoys (miniseries)|Hatfields &amp;amp; McCoys]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[The Bible (miniseries)|The Bible]]&amp;#039;&amp;#039;.&lt;br /&gt;
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==Limited series==&lt;br /&gt;
Broadcast and cable television networks have since aired programs that are branded as &amp;quot;limited series&amp;quot; or &amp;quot;event series.&amp;quot; Several television executives interviewed by &amp;#039;&amp;#039;[[The Hollywood Reporter]]&amp;#039;&amp;#039; stated that the two aforementioned terms denote programs similar to the miniseries while others claim that the term &amp;quot;miniseries&amp;quot; has negative connotations to the public, having become associated with [[melodrama]]-heavy works that were commonly produced under the format.&amp;lt;ref&amp;gt;{{cite web|url=http://www.hollywoodreporter.com/news/heroes-24-whats-difference-between-683563|title=&amp;#039;Heroes&amp;#039;, &amp;#039;24&amp;#039;: What&amp;#039;s the Difference Between a &amp;#039;Miniseries,&amp;#039; &amp;#039;Limited&amp;#039; or &amp;#039;Event&amp;#039; Series?|author=Lacey Rose and Lesley Goldberg|work=[[The Hollywood Reporter]]|accessdate=February 25, 2015}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The term &amp;quot;limited series&amp;quot; came to be adopted in the 2010s by the [[Academy of Television Arts &amp;amp; Sciences]] to refer to television series that are preconceived as being one-season shows with no intention of being renewed for additional seasons, or feature rotating casts and storylines each season, such as &amp;#039;&amp;#039;[[American Horror Story]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Fargo (TV series)|Fargo]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[True Detective (TV series)|True Detective]]&amp;#039;&amp;#039;. This makes the self-contained season longer than a miniseries, but shorter than the entire run of the multi-season series. This terminology became relevant for the purpose of categorization of programs for industry awards.&amp;lt;ref name=TVGuide&amp;gt;Schneider, Michael (March 9, 2015). &amp;quot;Inside the Emmys&amp;#039; New Rules&amp;quot;. &amp;#039;&amp;#039;[[TV Guide]]&amp;#039;&amp;#039;. pp 8-9.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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==See also==&lt;br /&gt;
*[[Television program|Television series]]&lt;br /&gt;
*[[Metaseries]]&lt;br /&gt;
*[[Telenovela]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist|30em}}&lt;br /&gt;
&lt;br /&gt;
{{Television drama series}}&lt;br /&gt;
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[[Category:Television miniseries|*]]&lt;br /&gt;
[[Category:Television terminology]]&lt;br /&gt;
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[[it:Fiction televisiva#Serialità debole]]&lt;/div&gt;</summary>
		<author><name>Adminpeter</name></author>
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